- Artificial Intelligence – how and why I learned to use it
- A Broken Land – how I developed a series of figurative paintings set in a desert
- Camberwell Art School – how I learned to paint, draw, and make prints
- Figurative Paintings 2013 – how I returned to painting the human figure
- Figure Paintings 2014-2016 – how I utilised a new studio to paint larger pictures
- Yet Another Spectacle — how I responded to Guy Debord and car crash photography
- West End Ware — how I fused Munch’s The Scream with retail therapy and Ancient Greek art
- The Influence of Manet – how he inspired me to make socio-political paintings
- The National Gallery – how great art led me to a life of meaning
- The Grenfell Tower Fire – how witnessing a tragedy affected my work
- This Charter’d City – how a painting came to life after 10 years gestation
- Neptune Paintings – how I reworked an ancient Roman myth
- Happy Hour – how a chance encounter with my son completed the picture
- Stencils – how I learned from Piero della Francesca and computer scientist Larry Wall to develop a love for Reusable Painting Objects
- The Movers – how I portrayed a workforce of 47 men and women, 13 trucks and 2 dogs
- Digital Prints – how I came to make Giclée and C-Type photographic prints.
- Ankylosing Spondylitis – how I learned to adapt my art and live with an incurable disease
- Looking for a Ghost – how I searched for a bad man, my grandfather, Frank Cave
- Crime Writing – how I began adding to slush-piles
- The Butcher of Cairo – how Marilyn Stasio and the ghost of Hemingway showed me another way to write crime-fiction
- A Short History of Ireland – how the English and the Irish contributed to a bloody history
- The Three-Towered Castle – how I came to write a historical crime novel set both sides of the Irish border
- Richard Harris – how I witnessed the actor enhancing his reputation as a pub-brawler
- Covent Garden Market – how my father crafted the fine art of ducking and diving
- Alfred Hitchcock – how I witnessed Hitch hoodwinking market porters when directing Frenzy
- Kleptomania and my Father – how he was driven by an impulse control disorder
- Sid and Nancy – how I witnessed Nancy Spungen predicting her demise at the hands of Sid Vicious
- America 1973 – 1974 – how I took two road trips from coast to coast, declining a career in the porn industry, while avoiding a 20-year jail sentence for gun-running
- Adelaide to Curaçao – how an ocean voyage left a lasting impression on a 15-year-old boy